Punk Noir Magazine: Portrait of the Artist as a Consumer - Elizabeth Everts

From June 6, 2019:





I haven’t been able to watch television for the past 4 years or so, which is exactly when I started writing pop songs…no coincidence.


It seems that TV stimulation somehow interferes with my ability to compose music.


But I used to watch TV – documentaries about the second world war, cooking shows and an occasional trending series.


I don’t miss it but I don’t rule out that I will feel like watching again.



When I became passionate about reading as a child, I began with horror and murder mystery novels.  As I entered my teens and twenties I tended towards more literature, poetic or philosophical books (Kerouac, Sartre, Shakespeare, Hume, Tolstoy, Hemingway), with an occasional novel from time to time.


Recently I read books as research and to learn.  This started with cookbooks and health and fitness books, followed by mathematical books and now music mixing and mastering how-to books.  Basically, I discover that I lack knowledge somewhere and I then research books that will help me reach the answers I am seeking.  So far this has always worked.


A small selection of my favourite novels: “Salem’s Lot”, Stephen King; “On The Road”, Jack Kerouac; “Trustee From the Toolroom”, Nevil Shute; and “Tagebuch einer Berghebamme”, Roswitha Gruber  (“Memoirs of a Mountain Midwife”).



The same goes for films as for TV – I can’t watch any.


But, I consumed films for years and years.  I loved looking for underground films but also thoroughly enjoyed popular Hollywood films.


My favourite film of all time is “It’s a Wonderful Life”, by Frank Capra, which I have loved since I was a child and makes me cry tears of happiness every time I watch it.  It is a great lesson to not put too much value on money.


A more recent film that had me very impressed is “Inception” by Christopher Nolan.


I enjoyed “Trois couleurs” by Krzysztof Kieslowski and the experimentation of “Memento”, by Christopher Nolan.  I have seen most movies by Joel and Ethan Coen and really enjoy them.



I love so much music – I listen to classical, jazz and pop/rock/alternative music on a regular basis.  I am a musician – a composer and a performer and more recently a recording non-expert and a mixing non-engineer.


Classically, my absolute favourite pieces of music are Beethoven’s late string quartets, especially Opus 131 in c# minor.


Jazz-wise…Coltrane and Mingus move me over and over.  “Olé” by John Coltrane is one of my favourites, as is “Mingus Live at the Bohemia” by Charles Mingus.


“The White Album” by The Beatles is such a wonderful collage that has pleased my ears on so many occasions that I almost cannot listen to it anymore and the chord world of The Doors is blissful.


“Blood Sugar Sex Magic” by The Red Hot Chili Peppers is an album I find brilliant, as is “The Beekeeper” by Tori Amos.  I cannot forget to mention “Check Your Head” by The Beastie Boys – another favourite album.



Put me anywhere in Holland and I am happy; Burgundy, France, San Francisco and San Diego, California; New York, NY.


Munich, Germany is my home base and it still feels a little like vacation here, even though I have been here 11 years.



I eat what I need, no more, no less.



I drink black coffee and Spanish white wine, with water in between.



Pawel Kuczynski whom I discovered on Instagram (@pawel_kuczynski1), MC Escher, Mondriaan, Picasso, Van Gogh, Vermeer, Rembrandt, Munch, Monet.  I love visual expression that moves me.  All of these artists do that.



“Expectation is the root of all heartache.”  William Shakespeare

Monolith Cocktail -

Review of the EP "Contraband"

by Dominic Valvona

From July 12, 2019


An EP of contrasts, pianist-troubadour Elizabeth Everts fluctuates vocally between balladry pop and crystalline aria, and musically between the cheaper ticking metronome of a Casio preset and the more lofty rich swells of classical instrumentation. Her latest release, a beautifully off-kilter articulated EP called Contraband is a case in point: a mini-requiem of both lo fi and expensive.


Everts, ever the true confessional, lays herself open to various degrees of success over the EP’s controlled tumult of romantic brooding and lament. With Californian roots but living for the past decade or more in Munich, the melodious voiced Everts has a fairly unique sound that ebbs and flows continuously, weaving echoes of Tori Amos, Raf Mantelli and Fiona Apple with touches of lounge-jazz, trip-hop, the classical, and on the closing, almost played straight, attuned weepy ‘Black Is The Colour’ the elegiac folk of Christy Moore.


From the diaphanous rolling aria sowing of the opening ‘Harvest Time’ to the ethereal vibraphone flitting prowl of ‘I Just’ the Contraband EP is an experiment both in vulnerability and musicality: a subtle one at that. Everts is pushed gently to expand her horizons, which can only be a good thing.



KOBZR Magazine - Review of the EP  "Contraband", Elizabeth Everts,

by Thomas Müller

From June 12, 2019:




The songs on "Contraband" are without exception of an urgency that makes it almost scary. Especially when the instrumentation is sparse, which is not usually the case, as for example on "Black is the Color", the angelic voice and the expressive piano playing come into their own. The slightly brisker title "Harvest Time" and the somewhat calmer "Said I Wanna" are the highlights of "Contraband", where Elizabeth Everts manages to create atmospheres and moods. All of the titles are very melodic, haunting and simply beautiful. This is definitely not music for "rockers", rather something for dreamers.


Although all the songs live off the melodies, apart from their delicacy and melancholic ease, the music is alien to any profanity. Even the most pleasing and catchiest melodies are bar none of the stereotypes, and although the tone of the EP is mostly introverted without large variation, it captures me every single second. And so does each song, as again and again there is something new to discover in the comforting warm music that envelops one, flatters the ear and swells stress-free from the boxes. Every single composition is a little gem. "Contraband" touches and touches one. A work of emotions, for the heart and soul, which reduces songs to the essence. A work that you should know.


Translation by Elizabeth Everts.  


Original German Text:


Die Lieder auf "Contraband" sind ausnahmslos von einer Eindringlichkeit, dass es fast beängstigend ist.  Besonders wenn die Instrumentierung spärlicher ist als im Durchschnitt der CD, wie beispielsweise auf "Black is the Color", kommt die engelsgleiche Stimme und das ausdrucksstarke Klavierspiel, zur Geltung. Auch der etwas flottere Titel "Harvest Time" sowie das erneut ein wenig ruhigere "Said I Wanna" stellen die Höhepunkte auf "Contraband" dar, auf der Elizabeth Everts es schafft Atmosphäre und Stimmungen zu erzeugen. Alle Titel sind sehr melodiös, eindringlich und einfach nur schön. Definitiv allerdings keine Musik für „Rocker“, eher etwas für Träumer.


Obwohl alle Stücke neben ihrer Filigranität und schwermütigen Leichtigkeit von den Melodien leben, ist der Musik jegliche Profanität fremd. Auch die gefälligsten und eingängigsten Melodiebögen sind bar jeglicher Klischees, und obwohl die Platte fast durchgängig einen wenig variierenden, introvertierten Tonfall hat, fesselt mich jede einzelne Sekunde. Und genau so funktioniert das Lied für Lied, immer wieder gibt es etwas Neues zu entdecken, wohlig warme Musik, die einen einhüllt, das Ohr umschmeichelt und die absolut stressfrei aus den Boxen quillt. Jede einzelne Komposition ist ein kleines Schmuckstück. "Contraband" rührt und berührt einen. Ein Werk der Gefühle, für Herz und Seele, die Songs auf die Essenz reduziert. Ein Werk, das man kennen sollte.

LIVE Interview from April 5, 2019 with

DJ John Walton from

Mix Tape Radio International.  


Listen here:



Interview with Dizzy Storms of blog "The Flipside" from May 4, 2019:




DJ Interviews: Elizabeth Everts


Hey there everyone, Its The DJ coming at you with an interview featuring a talented singer, songwriter  whose name is Elizabeth Everts Who spoke on her humble beginnings


How'd you get started in music?


My Dad liked to play The Beatles or folk songs on the guitar and I would sing along with him while he played.  When I was 8, I ended up sitting at a piano during a wedding reception with a woman who was a piano teacher (I only met her that once) and she showed me things that I apparently picked up on well.  She recommended to my parents that I take piano lessons, which I did for the next 14 years.


Who are your inspirations or influences?


Major influences for me have been The Beatles, The Doors, The Red Hot Chili Peppers and Tori Amos.  On the classical side the biggest four would be Beethoven, Schumann, Janacek and Berio.  In jazz music my top four influences are Charles Mingus, John Coltrane, Miles Davis and Cal Tjader.


What advice would you give to aspiring performers?


Just because you are nervous doesn't mean that you are not cut out to perform.  Being nervous is not only normal but also an indication that the quality of your playing/singing matters to you.  Also, not everyone is going to like what you do and try not to let that shake you.  Be yourself.


How do you set yourself apart from other bands/singers?


I think that the influences of rock, jazz, classical and experimental music that I have heard and played in my life are mixing in a similar way in each song I write, which is slowly culminating into a unique "Elizabeth" style.


Any new gigs or albums in the future?


On May 25, 2019 a new five-track EP will be released.  It is called "Contraband" and contains songs utilising drums or electronic drum beats, Fender Rhodes and/or piano and vibraphone.  There is one solo song included - containing just piano and voice.  It will be available on all digital platforms or as physical media for purchase on my website.


Special thanks to her for this interview & I wish her luck in her career. So until then I'll catch you on the flipside! Stay awesome & rock n roll!


Posted by Dizzy Storms at 8:35 AM 

Review by Stereo Stickman from

November 18, 2018:




United DualitySee-Saw (Feat. Elizabeth Everts)




Elizabeth Everts’ collaboration with United Duality sees the songwriter offer a poetic string of lyrics, glowing with imagery and fragments of ideas that provoke and intrigue. There’s a delicacy to her presentation of the lines, her voice has a softness and a high tone that floats above the acoustic guitars to create an enjoyable level of contrast.


The song’s central sentiment and title are the main point of interest, and rightfully so. The short verse lines leave the listener plenty to question and wonder about, and although the hook does not explain anything in depth or detail, it does create a moment of resolve – the melody breaks away and rises higher, and the image of the see-saw is one that most people will likely have some sort of connection with. Nostalgia is a big part of that, the natural imagery and the mention of dreams ties in well – there’s a sense of innocence to the thought, a certain playfulness that suits the pleasant aura of the instrumentation and the melody.


There’s also the possibility of the see-saw being a reference to keeping things balanced, or of needing more than just yourself in order to keep things moving. All of this works in the song’s favour as you listen and consider the ideas. The vagueness of the lyrics is actually quite refreshing – modern pop tends to leave nothing at all to the imagination of the listener, so there’s less freedom to connect the experience to your own journey.


The guitar work on this single is beautiful, the single strum and the simultaneous picking offers an organic layer of musical truth that finishes things off gorgeously.



Find & follow Elizabeth Everts on Facebook & Twitter or visit her Website. Find & follow United Duality on FacebookTwitter & YouTube.


Blog Post by It's Indie from December 8, 2018:


It's On Repeat For Elizabeth


Elizabeth Everts released the new video for her song "It's On Repeat" today.


"When I wrote “It’s On Repeat” I was thinking about how ironic it is that each individual has to learn everything for themselves," Elizabeth tells us.


It is almost a trivial concept. But it can be fascinating, sad or even reassuring to realize that each person is in control of their success or failure. As a child you can be told that you cannot touch fire because you will get burned. But you might do it anyway to find out for yourself. You may be told that you are incapable of becoming what you want to become. But you might do it anyway.


This development that we have to go through is at times sad and there is much suffering, through which we can progress. Some people progress positively, others take a downward spiral. Tragedy is witnessed and creates suffering that is sometimes unbearable. Some people succeed, some people don’t. But everyone must keep going. It‘s on repeat...